#when mtv was good
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godsworstson · 4 months ago
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bam and jimmy slapping the shit out of each other
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abrandnewshadow · 4 months ago
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i've been looking for him talking about superdrag for so long.
frank talks about the bridge in the prettiest girl sounding like the chorus of "sucked out” by superdrag
frank: and um. now that i'm playing it though yknow what it kinda has that vibe of?
idk if i wanna reveal this and get sued but. it's like one of my favorite songs
evan: no
frank: yknow what it is? no? you're too young lol uh. there's a band called superdrag. anybody know that? that band? I love that band. there's a song they did "who sucked out the feeling" there's I think a vibe of that probably. idk.
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downtherabbitholewithlucy · 10 months ago
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|Limp Bizkit's cover of "Billie Jean" (2009)|
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humbug-demartino · 2 years ago
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"Pierce Me" [S2 Ep12]
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allwomenjointhe4bmovement · 4 months ago
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Vote for Chappell Roan for Best New Artist and PUSH Performance of The Year
cuz frankly, I'm tired of seeing heteros constantly winning everything!
Other than that, Chappell deserves it. If you watch her live performances, you'll hear that she's a really amazing singer. She's the only artist I know of that's not afraid to write and sing songs about exclusive lesbian experiences! She's talented. She deserves to win.
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quarterprioritymidnight · 2 years ago
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Bastille - No Bad Days (Live Performance) | Vevo
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whispersofjupiter · 27 days ago
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me thinking daria is a fun and silly show that’s won’t get too serious then watching 4x13 dye! dye! my darling!
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mystical-one · 2 years ago
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thinking about an alternate timeline where peter tork had been a regular on sesame street in the 70s or 80s or whatever
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saturngalore · 10 months ago
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i got caught up in playing bootleg minecraft 😭 but im having so much fun it’s distracting me from my anxiety (well for now!)
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communist-octoling · 6 months ago
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fuck tom dude
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seasonallydefective · 7 months ago
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Probably the BEST example of detransitioning in media is an old episode of MTV’s True Life — it featured a trans woman who detransitioned for similar reasons to the person mentioned in the last tweet, and someone who seemed to be non binary.
Keep in mind this is from 11 years ago now. But it’s still better rep than something with an obvious agenda.
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ladespeinada · 1 year ago
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listening to frank ocean’s blond(e) as i am wont to do and it reminded me that i hadn’t revisited doreen st. félix’s glorious write-up in mtv in a minute and god, it is so fucking good 
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robot-parade · 1 year ago
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Also, I was watching MTV today and they played the music video for ‘Boss Of Me’ !!!!!!!!
I never watched the music video before then, but it is very funny and awesome and cool
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skovenshemmeligheder · 2 years ago
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Rewatching Awkward, it's been a while
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coryndoll · 2 months ago
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lover of mine
drew starkey x actress!reader au
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— in which drew and y/n, secretly exes, must fake date in order to keep the peace at a mutual friend’s wedding, but the forced proximity makes them question whether they ever truly moved on.
warnings: cute silly little gesture from drewseph 😋 progress progress
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authors note: this is just part 2 of day 2 so i’ll incorporate the movie night in the next part fs. let me know if u still want to be added to the tag list through replies, anons, or dms !! notifications are always on <3
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you’re awoken by the light coming in through the blinds. it’s subtle, but it’s there. it bothers you and causes you to stir awake.
you can hear drew snoring—a habit you know all too well, but you ignore it. your eyes flutter open as you look around the room, then you look at him.
he’s dead asleep, but he’s on his stomach, his face parallel to yours. his mouth is a little open and one of his arms is underneath his pillow, hoisting him slightly higher, while his other is reaching toward your side of the bed.
you yawn as you twist your body and grab your phone off the nightstand, then check the time. it’s already noon. the others must be up and awake by now.
you drop your phone on your lap and use that hand to shake drew awake gently, but when he doesn’t wake up the first time is when you get a little rougher.
“star,” you tell him, in hopes that he gets up at least now or soon. you don’t want either of you to miss any of the plans going on that day. “wake up, come on,” you say, and drew’s eyes open once before he closes them again, and his legs move underneath the blanket slowly. he’s waking up.
“mmh,” he moans, and because his eyes are closed you know that he’s trying to fall back asleep. you retract your arm and get up from the bed. you figure he’ll wake up anyway, he knows he has to.
you walk over to the door and open it, then peek your head out into the hall. you look around for anyone, but all you find is theo walking upstairs to his and leila’s room with two plates of food.
“hey,” you say, then pause to clear your throat. you’ve already caught theo’s attention. “what are we doing today?”
theo shakes his head, his mouth full of his piece of toast. “not today,” his words are difficult to understand so he drops the piece of toast on one of the plates. “tonight. leila has this checklist that’s guiding our everyday, and she said she’s been wanting to just stay in one night, relax, watch some movies. it’s gonna be chill, but it’s only that.”
you nod, patting the doorframe twice. “thank you,” you say, then pull back into your room as you add, “and good morning!”
“‘morning,” theo says, and you close the door gently.
when you turn around you see that drew’s awake. or at least he’s changed positions. he’s lying on his side now, facing you again. you watch him as you return to your side of the bed. he has to flip onto his other side again when you even leave his sight.
“free day until movie night tonight. leila’s orders,” you say, and there’s a small smile on his face before he rubs his eyes with his palm. you look around the bed for your phone with a frown, “could sleep in ‘til tonight if we wanted to.”
“we?” he asks, and it’s like he’s caught you already suggesting plans for the both of you.
“if i . . . wanted to,” you correct yourself, then pause for a moment while you rub the back of your neck, looking away. “libby did say she could help me with some audition tapes today though.”
drew groans, stuffing his head back into his pillow. “why are you working during the two weeks we’re supposed to do anything but that?” he whines, as if you’re dragging him along to do it too.
you shrug, “some people are expected to book their next role as soon as possible. now that tempest is over, i want to start working on my next big thing.”
“tempest was the next big thing, you won an mtv award for it,” drew reminds you.
you think back to your tv series that had went on for six years, a good chunk of your life, before it ended just recently with its final season. tempest is the reason why you met drew in the first place—he shared his praise for your lead role at one of his movie premieres years and years ago.
you shake your head at him. “okay,” you say, deciding to get up and out of bed.
“where are you going?”
“i’m not gonna work but i’m not just gonna lay around in bed all day,” you tell him, and you leave the room to freshen up in the bathroom.
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you hear a few footsteps that descend the staircase and you can’t help but peer over your shoulder to see who it is. it’s oscar. you’re seated at the kitchen island, and he’s just minding his own business as he retrieves something from his backpack it seems like, then he looks to you.
he’s kind. there’s a genuine smile on his face as he nods his head at you. “good morning,” he says.
he turns to leave and you try to return it, “good morning.” you clear your throat as you continue to watch him head upstairs. from there, you can see someone walking across the hall, just from their feet.
you can recognize his patterned socks. it’s drew.
“hey!” leila’s voice is a jumpscare and you can’t help but react quickly, facing forward like you’re a child getting caught stealing candy. leila laughs when she realizes she scared you. “sorry . . . i thought you heard me come in. are you ready?”
you’re dressed to go out to town, as leila said earlier that she wanted to visit the local market nearby. you nod your head at her and shuffle off of the chair.
“who’s driving?” drew asks as he jogs down the stairs and pulls his crewneck over his head. you barely cast a glance at his body before you look into his eyes, and he walks over. “am i?”
“yes—” leila tries to say before you cut in.
“you’re coming with us?” you ask. you don’t necessarily have a problem with it, it’s just why was it kept from you?
“problem?”
“i don’t know. is there one?” you furrow your eyebrows at him and tilt your head to the side, but you realize the way you’re talking to him.
he squints his eyes at you in question, then glances up at leila. he’s not sure whether you're teasing him or not, but he lets out a short, awkward laugh. “okay, let’s not get dramatic,” he says lightly.
leila, sensing the unease, smiles as she steps in. “i figured we could all go together! it’s a trio outing now! plus, you two are joined at the hip anyway.” she says it like it's the most natural thing, blissfully unaware of how the statement lands between you and drew.
you swallow the discomfort and force a smile as you get off the chair, grabbing your bag. drew’s eyes linger on you for a moment before he turns and follows you both out the door.
“careful,” he warns you about your blatant attitude.
you know he’s right, and you mutter out, “sorry.”
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the car hums as you’re driven down to the beach market, then get out to enter. it’s not a huge deal being seen out in public together—you’ve done this before. but of course it’s different now. there’s something strange about holding drew’s hand when you know, deep down, it’s all for show. but you don't pull away.
when you reach the town, you spot a few people recognizing you—actors always catch eyes, even in quieter towns like this one. drew stays close, his hand still gripping yours, a comfortable smile playing on his lips as the three of you wander around.
a couple of fans approach you, their faces lighting up at the sight of you and drew together. “oh my god, i loved you two in hellraiser! this feels like a dream," one of them gushes, and for a split second, you feel drew’s hand squeeze yours tighter.
you try to play it off, laughing softly as you and him pose for a quick picture with the younger girl.
after, drew steps beside you, leaning forward with his hands behind his back as a few record him. “we’re glad you enjoyed it,” he says, flashing his grin. you feel a familiar flutter in your stomach, a reminder of all those moments you used to share during press events like this.
another girl beams, and what seems like her mother is standing there with her, “you look even prettier in person! can we take another photo?”
“of course!” you laugh, and you part from drew to tend to the few of them.
drew is just standing a few feet away, his gaze locked on you. his expression is unreadable—something between admiration and something deeper, something heavier.
leila catches onto his lingering stare, and she approaches him with a smirk, nudging his arm. “you’re staring,” she teases, her tone light. drew blinks and breaks his gaze, glancing down at leila like he’s been caught.
“was not,” he mutters. his eyes flick back to you for a second, but he quickly looks away again.
leila’s inspecting a few trinkets before glancing back at him, a knowing look on her face. “you’re a terrible liar, you know,” she says. “you’re staring, and don’t think i didn’t notice at the firepit either.”
drew shifts uncomfortably, trying to find a way to defend himself. “okay, well yeah, because she’s my girlfriend!” he says a little too loud, and even you look up at him and furrow your eyebrows before returning to what you’re doing.
“okay, i’m joking. god, please lighten up. you can stare at your girlfriend all you want. who cares?” she says, waving a hand dismissively. “is everything good with you two?”
drew hesitates, glancing over at you as you smile politely at another fan. “yeah, everything’s fine,” he says, the words coming out too quickly. “why wouldn’t it be?”
leila narrows her eyes, watching him closely. “i don’t know, you’re acting a little . . . weird. normally, you’re more laid-back when she’s off and doing stuff on her own. but lately, you’ve been all . . . protective. intense, even.” she pauses, studying his face. “is something going on?”
he rubs the back of his neck. “no, we’re good. we’re good.”
leila hums, her fingers tracing one of the bracelets on a stall table. “you know, i talked to y/n last night,” she says carefully, her voice soft. “she said you guys have been stressed with work lately, but that everything’s good between you. still . . . i don’t know, something feels off. you both seem a little . . . distant.” she gives him a gentle nudge. “i’m not trying to pry, but i just want to make sure you’re okay. i already asked her, so now i’m asking you.”
drew stiffens slightly, but forces a small laugh, trying to brush it off. “yeah, work has been a lot lately. it’s probably just that—stress, you know? juggling schedules, auditions, appearances . . . it’s hard to get time for ourselves.”
“i get that. trust me, theo and i have been there too with our careers. it can get messy, but...” she trails off, giving him a sincere look. “you and y/n have always had something really special. and i know it’s not my business, but if something’s really bothering you—or her—you guys should talk it out. don’t let it fester.”
he shifts on his feet, the words striking closer than he’d like. he nods, though, appreciating her concern. “yeah, you’re right. i know we need to talk more, make time for that.”
leila smiles, “good. i’m here for both of you, okay? if you need to blow off steam or talk, don’t hesitate. i can tell there’s more going on than just ‘work stress,’ but i trust you’ll figure it out.”
drew forces a grin, trying to play it cool. “thanks, lei. we’ll be fine.”
leila holds his gaze for a moment longer, then nods as she steps back toward the vendor. “you better be. you guys are a strong power couple around here,” she jokes lightly.
as she glances over drew’s shoulder, her gaze settles on a nearby flower shop across the street. she doesn’t say anything, but her eyes linger, then shift back to him. there’s a soft smile playing on her lips, and she raises her brows in a silent suggestion.
he follows her line of sight, his eyes landing on the shop. it takes him a second, but he gets it. leila doesn’t need to say the words. he knows exactly what she’s trying to tell him.
“really?” he asks, dropping his smile. “you’re playing wingman?”
“wingwoman, but you know.” she gives a small, almost teasing shrug. “i mean, they’re her favorite, right? might not fix everything, but it’s a start. little things, drew.”
his eyes flick back to the shop, an old habit of buying you flowers bubbling up in his chest. “yeah, she always liked those kinds of flowers,” he murmurs, half to himself.
he nods, muttering a quiet “thanks” under his breath, as leila gives him a knowing smile before turning back to browse a nearby stall.
drew makes his way over to the flower shop, eyes scanning for your favorite blooms. the vendor helps him put together a simple yet thoughtful bouquet, and drew can't help but feel anxious but hopeful.
a few minutes later, he looks for you amongst everyone. you’ve already found leila, as you two inspect something on a stand just a few stalls down. you must not have seen drew when he was handling the flowers.
he makes his way over, and his presence is warm behind you that causes you to peer over your shoulder. you’re startled when you realize there’s actually someone there, and he’s so close. you immediately notice the flowers.
your eyebrows lift in amusement as he grins. “oh, what’s this?” you ask, your tone teasing, though there's a flicker of surprise behind your eyes.
drew holds the bouquet out, his voice soft. “for you,” he says. “maybe to make the day a little better.”
you look at the flowers, hesitating for a second before taking them. there’s a small warmth in your chest that you try to suppress, but it shows in the way your lips twitch upward into a faint smile. “thank you,” you say quietly, studying the flowers briefly before your gaze shifts back to him.
you can’t help but wrap your open arm around his neck and pull him close. his gesture is sweet and unexpected. drew’s arms finds your waist before he’s hugging you back, even tighter, but trying to be polite with how long he squeezes you.
you feel bold, and you lean away from him before pressing a quick kiss to his cheek. it’s brief, almost hesitant, but enough to make drew’s breath get caught in his throat for a second.
as you pull away, you notice his glance toward leila, who's standing just a few feet away, pretending to be deeply engrossed in whatever she's holding. but she can’t hide the small wink she throws his way when he meets her gaze, a playful, silent “you're welcome” before she turns back around.
you catch it at the very last second and your mouth gapes open, so you take a step back. “are you two conspiring now?” you ask, in fake shock.
he chuckles softly. “just trying to be a good boyfriend.”
“mhm,” you murmur, but your smile lingers, and you look up at him to mumble a small “thank you” again, to which he waves it off like it’s nothing. even though you're hesitant, you can't deny that the gesture worked—at least a little.
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@rubixgsworld @itgirlbrina @thepopcultureaddict @samsmelodrama @kissfinalgirl @itsamegazaddysworld @willowpains
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doyoulikethissong-poll · 10 months ago
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Nirvana - The Man Who Sold the World 1993
"The Man Who Sold the World" is the title track of David Bowie's third studio album, which was released in 1970 in the US and in 1971 in the UK. Although no singles were issued from the album, the song appeared as the B-side on the 1973 reissue US single release of "Space Oddity" and UK single release of "Life on Mars?".
In his journals, Kurt Cobain of the American grunge band Nirvana ranked the album The Man Who Sold the World at number 45 in his top 50 favourite albums. Nirvana subsequently recorded a live rendition of the song during their MTV Unplugged appearance at Sony Music Studios in New York City on 18 November 1993 and it was included on their MTV Unplugged in New York album released on November 1, 1994, nearly seven months following the death of Cobain. The song was also released as a promotional single for the album in 1995.
Nirvana's cover received considerable airplay on alternative rock radio stations and was also placed into heavy rotation on MTV, peaking at number 3 on MTV's most played videos on 18 February 1995; it also peaked for two weeks at number 7 on Canada's MuchMusic Countdown in March 1995. Nirvana regularly covered the song during live sets after their MTV Unplugged performance up until Cobain's death. In 2002, the song was re-released on Nirvana's self-titled "best of" compilation.
Bowie said of Nirvana's cover: "I was simply blown away when I found that Kurt Cobain liked my work, and have always wanted to talk to him about his reasons for covering 'The Man Who Sold the World'" and that "it was a good straight forward rendition and sounded somehow very honest." Bowie called Nirvana's cover "heartfelt", noting that "until this [cover], it hadn't occurred to me that I was part of America's musical landscape. I always felt my weight in Europe, but not [in the US]." In the wake of its release, Bowie bemoaned the fact that when he performed the number himself, he would encounter "kids that come up afterwards and say, 'It's cool you're doing a Nirvana song.' And I think, 'Fuck you, you little tosser!'"
At a pre–Grammy Awards party on 14 February 2016, Nirvana band members Krist Novoselic, Dave Grohl, and Pat Smear teamed up with Beck to perform "The Man Who Sold the World" in tribute to Bowie – who had died the month before — with Beck performing vocals.
"The Man Who Sold the World" received a total of 77,6% yes votes! Dave Grohl has previously been featured in the polls with Foo Fighter's "The Pretender" at #111 and as a drummer on Queens of the Stone Age's "No One Knows" at #87, and David Bowie has been featured with "I'm Afraid of Americans" at #33.
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